WH(hereafter WH): We mentioned last time in our discussion that starting from your works Mirage and Celebration, etc., you had basically parted from the sculptural figure that appears in your previous photographs.Today, let’s begin our conversation from there and focus on your two most recent projects: The Last Judgment in Cyberspace and H2O- A Study of Art History.Perhaps we can center more on the latter work, because we’ve already done an exhibition together on The Last Judgment in Cyberspace, and I’ve written an essay about it.This time, let’s concentrate primarily on H2O.
　　MXC (hereafter MXC): All right.These two works really represent a turning point in my art.Before I started these two projects, when I was working with conventional photography, I was shooting three-dimensional scenes in reality.And I was thinking about how to find the most appropriate angle from which to photograph a real situation and transform it into a flat, two-dimensional thing.One day, while looking at two-dimensional paintings in art history, a thought suddenly occurred to me: What would it be like if we changed it anew into a three-dimensional scene?I thought that if I could restore it, it would lead to very interesting results.So, I selected Michelangelo’s The LastJudgment.I first transformed it into a three-dimensional scene in the computer and then attempted to “view” it from different angles while also “photographing” these views.The process is the complete opposite from conventional photography.
　　　Additionally, three-dimensional scenes in reality are constantly changing and moving , but photography can only show a static moment . As